I’ve been invited by the poet Amy Key to take part in this blog series where writers answer the same set of questions then pass them on to four other writers. You can read Amy’s interview here and find your way back along the trail of writers.
Where did the idea come from for the book?
Many of the poems in the new pamphlet Then Spree were written without a book in mind, but some of the origins of some of the ideas and impulses include: things seen from night-bus windows, the glitches, fissures and blooms of language and the world as experienced by a diver. As well as… things my friends say, unusual auditory environments, off-record histories, folk song and story, watery places and the up hill struggle to learn a foreign language (Turkish!).
What genre does your book fall under?
Poetry
What actors would you choose to play the part of your characters in a movie rendition?
There is perhaps one distinct character (other than myself) in Then Spree – the man (or creature) in ‘Periphylla Periphylla’ who is trapped in a submerged world which is part deep sea, part London street.
I had already written this drunk lonely character’s voyage on the number 38 bus and was half way through writing the second part of his walk through Canonbury when the man himself staggered up to me. On seeing me he stopped, looked me in the eyes, (I was sitting on a garden wall writing by street-light), then he stumbled on. I would like this man to play the Jelly man, but it’s most likely I will never see him again.
What is the one sentence synopsis of your book?
Song’s outer reaches
How long did it take you to write the first draft of the manuscript?
I’ve been writing poetry seriously since I was a teenager and the poems in this pamphlet date back to around five years ago. The manuscript took around 4 months to bring together and edit.
Who or what inspired you to write this book?
I am incredibly lucky in that I have been able to travel and meet people who have opened up the world for me.
The poetry of Lutz Seiler, Sarah Gridley, DA Powell, Denise Riley and others have been vital to me – especially in the last few years of writing the poems in this pamphlet.
A book of Manley Hopkins poems given to me at secondary school by my teacher Mr Martin seems to have had long-range impact and so have nursery rhymes sung to me in Welsh and English, recordings of Michael Rosen’s poems for children and perhaps most importantly for all my writing – folktales from all over the world, told by my grandmother Liza Watts who is a professional storyteller.
From early on the poet and editor Roddy Lumsden encouraged me, challenged my writing approach and provided me with an ever-evolving and inspirational reading list.
And I recently read this which I love: “It’s necessary to maintain a state of disobedience against . . . everything. One must remain somehow, though how, open to any subject or form in principle, open to the possibility of liking, open to the possibility of using.” Alice Notely in the Poetics of Disobedience.
What else about your book might pique the reader’s interest?
In Then Spree there are secret staircases, vengeful saviours, a man with a jellyfish heart, nudism, white noise, stray ballerinas, singing bowls and obsolete instruments.
Will your book be self-published or represented by an agency?
The pamphlet is published by Salt in the Salt Modern Voices series.
You can order a copy of the pamphlet on the Salt website
Then spree 